


Bio:
Pop metal goddess who outraged many a would be Oliver J.Flanagan and received
extraordinarily hostile reactions from some quarters of the music biz
in Ireland (famous Egghead and all round groovy 'enlightened' dude B.P.Fallon lost
his cool and dismissed her as a 'tart' on Record Cabinet on RTE Radio. The mask slipping, oh groovy one?--ed.).
She was listed among Ireland's Worst Dressed Women in the Sunday World by Micheline
McCormick.
And this in the age of Samantha Fox et al? Her raunchy image seems tame by todays
standards. Shame on Hot Press for even questioning her about it. The past really
is a foreign country.
Before all that April South (AKA Marian Curry) had spent a few years singing and playing
keyboards with The Pennies showband (billed as April and The Pennies), something which
didn't do much for her credibility later. She left school at 16 and moved to Dublin in search
of a band to play with and settled in Bray. She spent a number of years on the showband
circuit with the Pennies. Her negative experiences during this period informed the
April South persona she later adopted. In an interview in Hot Press she claims to have
spent four years with the Pennies, but the first single featuring April dates from 1973 - was
this a different April?
April South formed her own hard rock/celtic rock band in September 1981 and toured the ballroom circuit,
an unusual move at the time. She was the main songwriter and played bass. She penned a fake bio
(claiming to be an American) and played up the sex angle in her live act. He act was described
as "raw and crude" by Hot Press, and "her
assertiveness vulgar rather than showbiz savvy". Her show was "Rock'N'Roll Burlesque,
a comedy of errors and eros, that absolutely leaves it to the eye of the beholder".
This kind of thing was simply 'not on' in 1981 and it led to bannings by the clergy, etc, but
also a lunchtimeshow at TCD was picketed by feminists. By 1985 she'd toned down her
image considerably and recorded a more MOR single.
April South recorded a handful of singles, all of which are sought after, especially the Rockelly
releases.
Her final single released in 1985 was a cover of Dobie Gray's 1973 hit "Drift Away" (recorded
under the guidance of Louis Walsh?). The tracks on the "Green Metal" LP (1985) pre-date this drift into
MOR mediocrity.



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