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Bio:
Pat O'Donnell & Steve Belton began working together as a duo in the early
1980s. Steve Belton had earlier been in Square Meal.
Their early work was in the experimental electronic vein and they were associated
with the Projects Arts Centre in Dublin. They recorded soundtracks for the works of
performance artist Nigel Rolfe among many other
activities, including working as
an engineering & production duo (e.g. the B-side of the Virgin Prunes "New
Form Of Beauty" 12inch). But they also developed a more 'rock' side to their
activities, performing live as a new wave/techno-rock duo, gigging extensively during
1982-84. Bill Graham described them in 1983 as sounding like a cross between
Kraftwerk and The Shadows.
In 1984 they changed their name from Belton &
O'Donnell to The Fountainhead [an Ayn Rand reference] and self-released
their debut EP. Kieran Owens (later of The Dublin Event Guide) became their manager.
They were signed by China Records in the UK and developed a poppier, dance music style
which invited comparisons to other duos such as OMD, China Crisis and so on.
This poppy side of their sound dominates pretty much all of their records on
China Records released during 1986-88. This is especially true of the much slicker
second album "Voice of Reason" [the title another Ayn Rand reference], which sounds
like an attempted commercial, comparable to late 80s Scritti Politti. It was not to be,
however,
and the bands relationship with China ended shortly after.
There was a brief
live lineup in the late 80s with the rhythm section of Cactus World News, i.e.
Feargal Andrews (bass) and Wayne Sheehy (drums) plus Daragh Connolly (of
Hinterland,
Those Nervous Animals,
The Strong Are Lovely) on keyboards.
Connolly and Sheehy
both playd in
Hinterland, who were managed by then
Fountainhead manager
Ciaran Owens. Connolly left, dissatisfied with the situation,
and Jim Corr (of The Corrs)
took over.
There are many unreleased Belton & O'Donnell recordings pre-dating The Fountainhead
days [and some early Fountainhead demos too] which illustrate their new wave
synth rock approach which was comparable to Ultravox, Bill Nelson's Red Noise,
or Bill Graham's "Kraftwerk meets Shadows" comparison. These include at least one
Dave Fanning session which included a guitar-heavy track called "Defender" which
reminded me strongly of Bill Nelson.
The band probably split sometime in the late 1980s (can anyone confirm the date?).
Pat O;Donnell released a solo LP on SRS Records in 1988.
Belton & O'Donnell currently work as a production duo.
Apart from a number of Spanish reissues in the 1990s, there has been no attempt
to reissue the Fountainhead's recordings. If they ever come out again, it would be
great to hear the early demos again.
Note the Fountainhead who released two LPs on Toads Records in the 1980s is a different band,
a US southern/hard rock outfit.
Notes:
Sometimes known as the Live EP. Two tracks appeared as bonus tracks on the CD
edition of Voice Of Reason. From the sleeve notes: "These songs were recorded
live by The Fountainhead at the Whisky in Hollywood on Tuesday 9th December 1986
at the final show of the band's debut US tour."
Notes: With Peter VanHook (New Order, Joy Division) on drums. Produced by Paul Hardiman.
We need your help to correct and/or complete this entry. If you can provide more information about this band, have scans, photos or any other memorabilia we can use, or spare copies of any releases, then please get in touch.